Knowledgeable host
makes art show fun
by Frank Provenzano
Host Robert Maniscalco sits on the steps outside
an ivy-covered brick house in Grosse Pointe, whetting
viewers' curiosity with a tone that is equal parts
serious-minded investigative journalist and sill showman.
He claims that inside the house lives artist Jim
Pallas, a genius of "found object sculpture who
eats conceptualism for breakfast."
The dare for viewers: Come along on Maniscalco's
jaunty tour, where the world of art and artists is
deconstructed and typical elitist notion about "ahhtt"
are cast aside.
It's a rather safe dare, and one that skims past
the bigger challenge facing the WTVS-TV (Channel 56)
show "Art Beat. That is: Can Maniscalco get beyond
niceties to probe the gritty subject of how artists
grind out contemporary art in Detroit?
The weekly show premieres Saturday on Detroit's public
television affiliate.
The station is committed to airing 18 episodes this
season. That should be enough shows to figure if there's
an audience interested in learning about the personalities,
work habits and art created by local painters and
sculptors and installation and mixed media artists.
"It's important for us to produce local programming,
and create a buzz in the arts community," says
Jeff Forster, vice president of production at WTVS.
"We're targeting people who might not know much
about art, and will enjoy the unpretentious, conversational
tone the Robert Brings."
Robert Maniscalco - a portrait artist, gallery owner
and tireless arts advocate - knows that if television
is the medium, then entertainment is the expectation,
even on public television.
And he's up to the task.
He not only hosts and helps select the featured artists,
Maniscalco is the only underwriter of "Art Beat."
His donation is "well below 10 percent of the
production expenses," says Forster. He wouldn't
disclose the cost of the show.
"I hope to light a fire, and emphasize the 'star'
in starving artist," says Maniscalco, a former
professional actor who trained at New York's Circle
in the Square.
Saturday's "Art Beat" debut features sculptor
Pallas, a Macomb Community College art instructor
and unabashed 1960s hippie who turns broken CDs and
vinyl, coupons, doll legs and crumbled beer cans into
representations of fish. He also creates interactive
sculptures that respond to light and sound.
Ever the showman, Maniscalco barks at one interactive
sculpture, jokingly prods Pallas to explain his path
to becoming an artist, and playfully pretends that
his hand has been melted as Pallas wields a torch
to demonstrate how he welds a wire-scuplture fish.
It's not quite like listening to a distinguished
art scholar lecture on the importance of contemporary
art, but he show could provide a vital service to
an arts community that's viewed as fragmented and
lacking recognition, says "Art Beat" director
Todd Hastings.
"We are promoting these artists and want viewers
to go out to galleries to see their work," says
Hastings. He directed "Back Stage Pass,"
the highly regarded show on WTVS that showcased the
region's performing artists and cultural events. The
show was canceled two years ago when sponsors pulled
funding.
Unlike "Back Stage Pass," which featured
an array of artists, exhibits, concerts and plays,
"Art Beat" focuses only on the visual arts.
The first four shows set out on familiar ground; there
are profiles of Tyree Guyton and Gilda Snowden, who
are among the most well-known local artists.
"Detroit's art community is thriving, and there's
a misperception that these artists are inaccessible,"
says Hastings. "Many of them are blue collar
craftsman, and we want to show that.
"Of course, our challenge is to choose people
who are articulate and who make good TV."
Bur for "Art Beat" to become a bona fide
spotlight, it must become more that a 30-minute advertisement
for art.
It should ponder the meaning of art that defies convention
and how it makes a statement about life.