Maniscalco's artist statement
Introduction to Robert Maniscalco Gallery Art
Artist Statement
My work is about my victory over fear and self-loathing. It is a celebration of survival in a world that seems so often determined to keep me and other survivors, silent. As a young teen, in 1974, I was sexually assaulted and threatened with death if I were ever to tell anyone “our little secret.” I fell mute; I literally couldn’t utter a word for weeks. The man was my sister’s boyfriend, a trusted doctor at Children’s Hospital in Detroit. He groomed me, insulated by his position of authority. After the assault he terrorized me for months after. I dissociated, haunted by fear and shame. Later, as an adult, after years of therapy and turning my life over to a loving Christ, I felt called to break free of my lost innocence and “victimhood” by bringing light and vivid color into the world, transforming my fear and pain into beauty and light.
I believe artists are our conscience, the teachers of society. The best artists can go deep within themselves to bring up the treasures, usually in the form of questions, which form a blueprint for a meaningful creative life. As a professional creative, I am always looking for ways to bring meaning and clarity into the world, to use my God given talent to inquire and to edify. Simply put, I love putting ideas and things together in ways that please and make sense to me. So, I share my journey, finding, processing and expressing insight any way I can, to whoever is willing to engage in our shared experiences together on this planet, interconnected by empathy by our humanity. I do this through painting, writing, theatre, composing and teaching.
My goal as a visual artist, a painter, is to explore the full range of my medium, which is light. I have developed several bodies of work exploring a variety of genres and subjects, but the poetry of light on form keeps finding its way into my work. Light is the force which reveals the subtleties of nature, particularly the human condition, uncovering what it means to be human on our path toward the light. This dynamic journey toward the light is a theme which runs through all my work, both literally and figuratively. Mine is a story of survival and wonder. Together, we find ways to make the best of what we are given. Often there is struggle, heartbreak, loss. But there is always a new dawn that awaits us if we can just hold on.
With this in mind, I plow the fields of portraiture, landscape and still life, surrealism, whatever inspires me. What I keep coming back to is the many creative ways we find to overcome and grow from our shared journey through adversity into the light. For instance, I am continuing a series of paintings called The Quench Project begun during my vision quest to Haiti in November 2014, focused on desire and the ways we quench it. Also, I am continuing my Faces of the Lowcountry series of paintings, which is an exploration of the joy and tenacity of the Gullah people as they continue to define and celebrate their identity, a cultural symbol of survival and abundant hope for all people. I also have been into an Iconic Charleston Series, which is all about what makes my home of Charleston so magical for me. Another body of work, consisting of highly chromatic figurative renderings, called Chromo Sapient, is intended to push the envelope of color, while maintaining the chiaroscuro – the illusion of light on form. Expressive realism may be my dharma but I have also recently begun to explore the possibilities of narrative and poetry using color and light to transport the viewer of my work into other dimensions of reality. I am also the doppelganger of NETI, who is that he is not.
I also consider my work as a commission portrait artist a major part of my artistic journey. In fact, I think my portraits will be my greatest legacy. Together with my noncommission portrait work, my journey can be summed up with an honest curiosity and respect for what makes nature and people tick. That’s what feeds my soul. I invite you to read my Bio for more about my story and the forces that drive my creative engine.


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“Light” is a #painting about the moment before everything changes—the quiet split-second when intention becomes action. Set against a swirling, cosmic backdrop, the hands of God (or man?) hold earth or another planet to the flame of destruction (or enlightenment?). The painting invites you to consider both the beauty and the weight of what we choose to ignite in our lives. It holds the tension between our power to create and our responsibility to care. #Light is for those who think deeply about #purpose, #stewardship, and the mystery of #existence, “Light” becomes more than an artwork. It’s a daily reminder that even the smallest spark—an idea, a conversation, a decision—can shape entire worlds. There’s a moment—right before we act—when everything is still possible.
“Light” was painted for the people who feel that weight: the therapists, teachers, spiritual guides, scientists, and quiet leaders who know their choices ripple out farther than they can see. If you’ve ever looked at our fragile little planet and felt both awe and responsibility, this piece is meant to live in your space. A reminder that what you choose to ignite today matters. Where in your life are you ready to strike the match? ... See MoreSee Less
Have you had an #oilportrait of your #children made yet? Now is the best time to #create an #heirloom #portrait by one of America's top portraitists. ... See MoreSee Less
"Jennifer's Flowers" is a recent painting. Can you see how it is a depiction of lovers? How does it make you feel? ... See MoreSee Less
What is existence? Are we really spiritual beings, made in God's image? #existence #charlestonsc #painting #artcollector ... See MoreSee Less
This dramatic, colorful, painterly, expressive self-portrait is an example of what I can do for you. ... See MoreSee Less
Thanks Robbin.
As Americans marked Presidents’ Day — a holiday traditionally reserved for honoring the nation’s leaders, their legacies and the arc of presidential history — Donald Trump found himself in the middle of a growing controversy over how his legacy is framed in one of the country’s most revered cultural institutions.
Trump reportedly requested that the Smithsonian Institution commission a new official presidential portrait that would encapsulate both his nonconsecutive terms — a departure from the usual practice of unveiling an official painted portrait only after a president leaves office. An earlier portrait commissioned after his first term, painted by the late Ronald Sherr, was never displayed because Trump was running for reelection when it was completed. But now, Trump wants a different image to represent his full tenure. At the same time, the Smithsonian’s National Portrait Gallery has already stirred debate by replacing Trump’s previous photographic portrait in the “America’s Presidents” exhibition and stripping wall text that noted his two impeachments and the January 6, 2021, Capitol attack. The new display features a stark image by White House photographer Daniel Torok with minimal context, a contrast to other presidents’ portraits, which still include fuller biographical captions. At the same time, the Smithsonian’s National Portrait Gallery has already stirred debate by replacing Trump’s previous photographic portrait in the “America’s Presidents” exhibition and stripping wall text that noted his two impeachments and the January 6, 2021, Capitol attack. The new display features a stark image by White House photographer Daniel Torok with minimal context, a contrast to other presidents’ portraits, which still include fuller biographical captions. ... See MoreSee Less
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