T H E P O R T R A I T S O F R O B E R T M A N I S C A L C O
SELECTED TESTIMONIALS
Excerpts from the speech given at the official presentation
of Professor Joseph Grano's
portrait to the Wayne State Law School in 2003: On
behalf of my family I thank you all for coming to
my father's portrait unveiling. . . I want to acknowledge
Robert Maniscalco for the fine work he did in painting
my father's portrait. Robert demonstrated such professionalism
in this portrait. He captured the essence of dad without
ever meeting him. He spent much time hearing stories,
looking at picutres, and building the persona in his
mind so that his portrait could radiate dad's character.
. . This portrait will enlighten strudents and faculty
to how important teaching was to him. It will also
acquaint new students with the kind of professors
Wayne Law desires. . . Finally, let me offer these
words. As a current prospective law student whose
traveled to many schools, I have not paid close attention
to the portraits in the school's halls. However, after
considering what my father's portrait says about the
professors of Wayne, I realize the men and women whose
portraits are hanging on the walls of a school are
as much a part of the law school as the ones in the
class rooms. In the next few months, I will consider
schools' legacies by paying closer attention to the
portraits in their halls. Daniel Grano
I am thrilled and delighted with the portraits
of my grandchildren and so is everyone who
sees them, especially the children. Thank you for
a job well done. Mae Gallagher
Dear Robert, Russell and I would like to thank
you for the portrait you did of me. I know that I
will never have anything like it ever again. It's
very special to us and we so appreciate all of the
hard works that you put into it. God Bless, Good Health,
Jen Bartolotas
Every time I look at those portraits, I think
of the genius you are. Peter and Elizabeth look just
like they did then. The detail in Sarahs is
amazing. Beth Dixon
Dear Mr. Maniscalco: Please forgive this somewhat
impersonal method of communication but I wanted to
contact you quickly. I am John Diebel's brother and
I just received your magnificent portrait of my son
and me in our surgical attire. I was overcome by the
fact that you capured so well the relationship. He
was not only my son but also my colleague, confidant
and best friend. We worked closely together in our
medical practice for five years. I was truly blessed
to have had this kind of a relationship with my son
for the time that we had. Unfortunately, life takes
some unexpected turns and his life was cut tragically
short. Again, thank you so much for applying your
gifts and talents to memorializing my son. Sincerely,
N. Donald
Diebel, Sr., MD
Rob, a formal 'thank you' for the fine job you
did on my portrait. It was quite obvious that there
were many, many other issues going on in my life at
the time. I didn't fully appreciate the artistry of
your efforts...not only in painting skills, but the
ability to shed pounds as well! I have received numerous
compliments. You know full well that it would not
have come to fruition without the perseverance of
E Ray and you. Robert O'Leary
Kay's beautiful
portrait sure served a timely purpose! It's presence
at her funeral was really special. I cannot tell you
how much it means to me to walk by it in our hallway
several times a day. Loving regards, Bill
Ward
Thanks to Rob Maniscalco for sharing his artistic
gift with us. We really love the portrait and can't
wait for friends and family to see it. We know that
it will remain in our family forever. It captures
the essence of Ryan
and CJ at a very special time in their lives
and we are so very pleased with the detail and quality
of the portrait. Rob Maniscalco is truly gifted and
we are thankful that he lent his talent and professionalism
to us. Jeanette Franck
It has been 13 years since you painted portraits
of my daughter Rachel and through the years, my family
and I have enjoyed the portraits immensely. Thank
you very much for capturing this moment of great joy
and happiness in our family. John Wong
Thank you for the wonderful
painting that graces our hearth. Roman
Madgidenko
Tonight I was visiting
M.L. Leiber's website and he includes a link
to your gallery. I thought I'd just stop by and take
a glimpse. Hours later, it has been a great pleasure
for me to view all of your portraits. The more of
them I saw the more I could see the painter inside
and outside which was a lot of fun. I don't know how
often someone tells you how much they like your work
and mean they really looked at it. Add me to the list.
There were several portraits that just enchanted me
and make me want to show them to someone else and
say "Look at this, look how he posed this, look
at the light, the hand, the draping of cloth, the
child's doll -- " These are the portraits I'll
come back to see.
First, the utterly charming
portrait of Betty
Coffee and her dogs. Apparently she has invited
me to pull my chair right up to hers and we're so
comfortable, so much at ease. She has that way about
her. If there's something I need, she'll find a way.
She has no needs herself and prefers to give than
to get. She's neither spoiled nor fragile, but self-contained
and willing. The light coming in from behind her somehow
illuminates her rather than putting her in its shadow.
I know I must behave myself as the dogs are very protective
of her and will only tolerate me as long as she tells
them I'm okay. Lovely, lovely.
Next, young Carlton
Campbell perched in the fork of a tree far
older than he, possibly older than all of us. His
face, his body, his clothing are all spotless with
the inexperience of youth while the tree has been
so frequently punished by nature as to seem a battered
survivor, which is what we must all hope one day to
be. The contrast of his perfect white little shoe
that has taken so few steps with the ragged bark is
a compelling image. From his expression, Master Campbell
does not need to be rescued from the tree. He plans
to climb many more, and bigger, and let nothing stop
him in the ascent.
The O'Donnell
girls have been captured in a split second
since there is no time when they are still. The younger
sister, pigtails flying, her little feet still baffled
by the intricacies of walking, is nearly lost within
her volumnous pink dress. She has no concern for such
things, there is so much to see and do. Her older
sister barely notices her, lost in her own play, her
graceful arm extended as she reaches out for more,
more, more of whatever this life may be. She is poised
and ready, a thinker and a doer.
Can anyone resist
Will Harvey? So many
questions, so curious, so ready to become whatever
he chooses.
I'll stop here but I
want you to know how very much I enjoyed your work
and I'll visit your site again for more of the same.
R. Sue Dodea