Robert blogs on art, creativity, politics, CSA, religion and culture. Many overlap into multiple categories, like motivational or random favorites. Robert is a life-long artist, writer, musician & actor, a professional creative his entire adult life. Born in 1959 in Detroit, he has lived in New York, New Orleans and currently in Charleston. His commission portraits and fine art are part of over a thousand collections throughout North America. Read his bio.

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LOVE

LOVE

This Valentines I’d like to take a moment to admire those who take seriously the idea of love, integrating love into our daily lives. Love is a verb. Love is pure potential. Love is the life force that makes all things possible. Love is more action than feeling or...

Dennis Drew Portrait

Dennis Drew Portrait

Portrait of a Hero As a Portrait Painter I am always interested in getting deeper into the mind and heart of my subjects. Charlestonian, Dennis Drew came to me originally looking for a portrait to celebrate his life and legacy. Many around him felt a portrait was an...

Learning to Paint

Learning to Paint

“The graveyard is the richest place on earth, because it is here that you will find all the hopes and dreams that were never fulfilled, the books that were never written, the songs that were never sung, the inventions that were never shared, the cures that were never...

Unrelenting Truth

Unrelenting Truth

When you have something important to say, maybe a bit out of your wheelhouse, but not really, because what you're talking about affects all of us, you better go ahead and say it. If we don't wake up to the truth of what is happening in Washington, there won't be any...

Wages of Death

Wages of Death

"I think it's worth [it] to have a cost of, unfortunately, some gun deaths every single year so that we can have the Second Amendment to protect our other God-given rights." Charlie Kirk The PerpeTRAITOR in Chief was testing the water when he blew up a boat last week,...

Normalizing Hate

Normalizing Hate

MOTION DENIED I was there every day of the hate trial of Dylann Roof, as sketch artist. I sat through the whole thing. He had every chance to defend himself. All he did offer was a strangely detached, yet spiteful "manifesto," which incidentally reads like it was...

Cabaret at Footlight

Cabaret at Footlight

Come to the Cabaret I am excited and looking forward to Footlight Theatre's production of Cabaret, which takes place in 1929 Germany, where people were split politically and grappling with the same issues we are facing right now. I see it as a cautionary tale. Then, a...

Fame and Fortune

Fame and Fortune

My PR person (me) should win an award. I have had more than my share of media coverage over my 45-year career. It's not just an ego boost. It is necessary for my career to get my name out there, to remain relevant, even though I am actually a shy person (believe it or...

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“The Handoff” ca

“The Handoff” captures the exact moment when one generation places the fragile world into the hands of the next. Suspended in a cosmic cloud of light and stardust, the small Earth glows between older, protective hands and younger, open palms.

“The Handoff” will be featured in my exhibition at Park Circle Gallery, opening Good Friday 5-7 pm. Thru April.

Two sets of #hands reach toward a small, luminous Earth, held tenderly against a swirling #cosmos. The older hands cradle the #planet with care; the younger hands open to receive it. Between them hangs a silent question: What are we really passing on?
“The Handoff” is a #meditation on stewardship across generations—the moment when responsibility for our fragile world shifts from those who have carried it to those who will shape what comes next. It’s a piece for anyone who feels both the weight and the hope of that exchange: parents, teachers, mentors, spiritual leaders, and quiet guardians of the future.
Hung in a living room, office, or gathering space, this painting becomes a daily reminder to live—and lead—with the next generation in mind.

It’s a painting about trust, responsibility, and the quiet courage it takes to let go—and to receive. It asks: What are we really giving to those who follow us? A burden? A blessing? A chance to do better? In this suspended second, everything is still possible.

"The Handoff" is for people who feel they’re standing between generations—parents, teachers, mentors, spiritual leaders, even environmental advocates—anyone who feels the weight of what we’re handing to those coming after us. It’s a visual reminder that the Earth, and the future, are something we pass on, not just something we use.
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The figures in A Wal

The figures in "A Walk in the Park" are the inner cast you carry everywhere—the fool who leaps, the doubter who drags his feet, the dreamer who stares past the horizon, the judge with crossed arms, the child who still believes. They bicker, whisper, revolt and reconcile, but together they make the one you call “I.” We are all onstage at once, caught in the thin light between meaning and emptiness—a reminder that your chaos is not a flaw, but the chorus through which your true voice finally emerges. ... See MoreSee Less

Identity and Self

"Identity and Self"

Opening Reception and Exhibition at

Park Circle Art Gallery
4820 Jenkins Ave.
North Charleston, SC 29405

The Exhibition runs through April 26
Gallery Hours: W-F 10:30-5:30, Sat 12-4

The collection will center on how identity interferes with our true self, our true freedom, which is a central value for an artist, as well as any self-actualized individual. For instance, when I draw my idea of a thing, rather than opening myself up to the full potential contained in the thing itself, I am limiting my creative potential.

So, who are we at our core, after we strip away the names we call ourselves, the parties with whom we affiliate, the causes for which we are fighting? After all, these are all inventions of the ego, which separate us from God and the infinite. Existence consists of light on form. Light is my medium as an artist. I am a painter of the self. I am looking always for something deeper than the surface representations in my subjects. It is the true self I am looking for when I paint, whether it is an orange, a sky or a judge.
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“The Fantasy” oi

“The Fantasy” oil on canvas 36" x 48", invites you into that lucid dream space where imagination feels more vivid than reality. In this oil painting, a solitary figure drifts through a dreamlike landscape of softened edges and impossible light. But the story is not fixed—you’re handed a doorway.

This piece lives in the uncertainty between escape and awakening. At first glance, it feels like a beautiful dream: rich color, fluid forms, and a sense of effortless drift. But stay with it, and you begin to notice the undercurrent—a quiet question about what we run toward, and what we’re trying to leave behind.

For the thoughtful collector, “The Fantasy” becomes a mirror for their own inner world. It speaks to anyone who has ever built a private refuge in their mind: the daydreamer, the creative, the survivor, the seeker who knows that fantasies can be both sanctuary and trap. The painting doesn’t judge that impulse; it honors it, and gently asks what new possibilities might emerge when we begin to bring those inner visions into the light of our real lives.

Hung in a living room, bedroom, or reading space, “The Fantasy” doesn’t just decorate a wall—it opens a conversation. With its layered symbolism and emotional depth, it’s the kind of work people return to, again and again, discovering new details and meanings as their own story evolves.
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Three Little Buds is

"Three Little Buds" is a framed #oilpainting looking for a new home. “Three Little Buds” captures a tender moment of becoming: three rosebuds held in that brief, luminous stage before they open. The dew on their petals hints at fresh beginnings and quiet resilience after the rain. This piece speaks to anyone who feels on the edge of a new chapter—honoring both the vulnerability and the promise of what is about to bloom.

“Three Little Buds" is about beginnings and the quiet power of what hasn’t fully unfolded yet. I painted them at that in-between moment—still closed, but clearly full of life and color, with the dew clinging to them after a fresh start.
For me, the three buds might suggest three children / three important relationships / three versions of ourselves at different times, held together in the same space of light and nurtured by potential energy. The droplets are a reminder that renewal often comes right after the storm; there’s a softness and resilience there.
It’s a painting for someone who connects with the idea of growth, protection, and the beauty of what’s just about to bloom or has bloomed in their own life.
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