Reflections on Nothingness
Price range: $125.00 through $5,000.00
Reflections on Nothingness 36 x 36″ oil on canvas
Reflections on Nothingness is not a design choice; it’s a commitment to keep looking into the mystery rather than numbing out. Reflections on Nothingness is a meditation on the space between presence and absence—the quiet, unsettling recognition that everything we cling to is, in the end, temporary. This piece is for collectors who are not afraid to sit with the bigger questions: mortality, consciousness, and the strange beauty of existing at all. Hung in a study, retreat space, or contemplative corner, it becomes less a decoration and more a companion for the long, honest conversations you have with yourself.
Reflections on Nothingness is personal, yet universal, an exploration of the self. Think of Odysseus and the Cyclops curse. Odysseus tricks the Cyclops by naming himself “Nobody.” Am I employing trickery in this painting? Or is it something deeper. As in, who am I? Really? What is the meaning of existence? How do I really exist? So many parts of myself I have shed, through time present and time past. What is left, presumably is the true self. What we cannot see is the where the spark of life lives. God is invisible but not unknowable. Like God, the spirit is unseeable. Here, I am depicted unable to see myself at all. Where does the true self even exist? The image I appear to see in the mirror is not there. Instead, there is an empty chair. A maniacal doll seems to be the only witness to my non-existence. In time the chair will indeed be empty. Will anyone notice I am gone? The portrait my father painted of me as a small child is all that remains, the only proof I ever was.
A lantern flickers a faint light as if trying to illuminate the scene. So does a lamp. But alas, their light is too faint. My power palette, which is adapted from the Frank Reilly palette, is featured with different colored lights falling on it, as well as the entire scene, which is bathed in a cool front light and a warm over the shoulder light, casting dramatic contrasting hues over everything, and nothing.
As an artist I am often asking models to allow me to draw and paint them in the nude. Here, I return the favor. The human form has always fascinated me. I realized it had been a long time since I did a self-portrait.
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